u/TallSaint. I was married, I had a baby and I was an entirely different person. Includes The National's current concert schedule and past tour dates for your convenience! Oh, no we haven’t!’ Never count your fucking chickens. “All the songs I’ve ever loved are fluid enough for me to sink into them and be the character,” Berninger replies. High Violet, the new full-length record by the National, is a nervy, melodic, explosive and beautiful set of songs that find the band at the height of their collaborative powers. As promised, the new National album is streaming at the NY Times website now (down the left side next to the article). At the same time, there was so much division. The second you do, it’s over. ... including advice given by Michael Stipe during the 2008 tour where the National opened for R.E.M. “Sometimes something forces you to shut down for a while,” says Berninger of his run of bad luck, “and you come back and it’s an opportunity to remember why you’re doing this.”. the national: high violet tour A gallery of images from 2010-2011. The world's defining voice in music and pop culture since 1952. Anyone’s Ghost (Live at Brooklyn Academy of Music), England (Live at Brooklyn Academy of Music). Government had got so brutal and disgusting with Bush and even Clinton. The National to Release High Violet 10th Anniversary Edition With Bonus Tracks Coronavirus: Here’s Every Musician Who Has Canceled Tour Dates So Far [UPDATING] Reviews \ View credits, reviews, tracks and shop for the 2020 Purple/Clear Split Vinyl release of High Violet (10th Anniversary Expanded Edition) on Discogs. “Seeing a band that good continue to exist and evolve for that long made us realise that we had to go for that. They’re still playing the long game and winning, with family and friendship at their core. The National turn 20 this year. I wanted to be a rock star. The triple LP package includes a third LP which … The venues got bigger, the cult grew stronger and the music press lapped up the ‘nearly-men done good’ narrative. The album reached Number Five in the UK and Number Three on the US Billboard 100. High Violet is the fifth studio album by The National, which was released on May 10, 2010 in Europe and on May 11, 2010 in North America via 4AD. All the things we needed were always there in good songs.”. The National still don’t have a hit to their name. Berninger has just inked a record deal for his debut solo album ‘Serpentine Prison’ (literally – he signed the contract when NME reminded him on the phone). We wanted to be a big band. We all have the capacity to become whatever we want.”. ‘High Violet’, with a title inspired by overhearing talk of the threat levels in New York after 9/11 (‘high orange’ being the most severe), was the crystallisation of all that they’d previously sought to master – but with a more accessible sheen. We don’t know how!’ He told us, ‘If you’re going to be in a band that lasts a long time, you either have to write a lot of hits or none at all’. “We loved the record when it was done,” says Berninger, “but whole career was just a series of moments of going, ‘We’ve made it! On March 10, 2010, the band performed "Terrible Love", the lead track from High Violet, on Late Night with Jimmy Fallon. “I have so many songs about trying to find out who I am. I had been in New York for over 10 years [when we wrote ‘High Violet’], and I definitely felt I wasn’t in Ohio any more. “I think that’s a thread I always walk along. You can feel this shift from first notes of opener ‘Terrible Love’: it’s there in the Dessners’ genius sonic textures, which are as rich as ever, but this time with a little more warmth, lift and release. “Meeting Obama seemed more important than being on any big stage,” says Berninger. We wanted to reach everybody. America is finally going to stand up and be what it’s claimed and promised for so long but hasn’t been’. 10 years ago, The National enjoyed something of an Indian summer. His vices of weed and wine are now more an aid to help him slip into the songs, rather than a crutch for anxiety and self-awareness. Michael Stipe teased us saying, ‘Why don’t you guys just write a pop song? “We knew that we hadn’t fucked up and we knew we weren’t finished. “Now I’m playing in front of these big crowds and realise how much more significant they are than having a few photos with Obama. Matt Berninger is now the polymath rock star he would pose as back when he was a kid. We shed our skins, we change, we evolve. You just pose, you absorb and you try. Perfectly measured and never overblown, ‘High Violet’ is the victorious sound of a band reaching ever upwards. Official website of The National. The National release the 10th anniversary expanded edition of ‘High Violet’ on June 19. The National have announced they will be releasing a 10-year anniversary expanded edition of their 2010 album High Violet, on June 19th, 2020. High Violet is specific and exquisite and if The National were already your thing, you basically knew two years ago how it’d sound. Genres: Indie Rock. Stipe was right. The National 2020 - 2021 Tour Dates for their current Tour! The National formed in 1999 in Berninger’s native Cincinnati, Ohio before they moved to New York. I don’t think any of us did. As well as writing songs constantly, he’s also working on a sitcom TV adaptation of Mistaken For Strangers with his brother and Besser, as well as a sequel to the original film. On ‘England’ he addresses a missed loved one (“You must be somewhere in London, you must be loving your life in the rain”) and on ‘Vanderlyle Crybaby Geeks’ he makes the startling observation that “all the very best of us  string ourselves up for love”. The band are raising money for their touring crew during lockdown here. It sounded like a coronation. The National are reissuing High Violet to mark the 10th anniversary of the release. Pennebaker and Chris Hegudus, Monday at 5 … (Though as he sagely notes with that familiar social-distancing-induced Groundhog Day confusion: “Does time even matter any more?”.). That pops up in our heads all the time. 2005’s ‘Alligator’, their third album, first perfected the combination of dark, raw-nerved realism and heart-bursting indie anthemics that make up the DNA of the band we know today. Moderators. But first they had to iron out some of the creases in their creative process. The National have announced that they'll be releasing their seminal 2010 album 'High Violet' on vinyl for the first time – and will celebrate by livestreaming a special show from the era tonight. ‘High Violet’ was us following all of Michael’s advice.”, “Michael Stipe teased us saying, ‘Why don’t you guys just write a pop song’?”, Feeling “happy but depleted and desperate for this record to be good”, they started work, then swiftly halted. Released 11 May 2010 on 4AD (catalog no. The National Zilker Park, Oct. 10 ... starting off with the low-key "Anybody's Ghost" off the new High Violet. Berninger admits that “touring was really hard until about five or six years ago”, adding he used to “battle” within himself on stage, but is now far more comfortable in his own skin and less “emotionally wrought”. “We always fought, and we fought so much while making ‘Boxer’ to the point where it had gotten unhealthy,” admits Berninger. The band endured a prolonged period of obscurity from their 2001 self-titled debut album and 2003’s underrated follow-up ‘Sad Songs For Dirty Lovers’; while The Strokes were scoring touchdowns for NYC’s garage rock revival scene, The National were stuck on the bench. Message the mods. If they’re coming to your neck of the woods, you should definitely go see them. “Another thing that Michael Stipe told us was: ‘Remember you were friends first’. In the Obama years, he says, the US exuded “a sense of enlightenment, optimism and possibility”. I think that’s a thread I always walk along”, “I have so many songs about trying to find out who I am, Berninger says. The band produced the album themselves assisted by Peter Katis with whom they worked on their previous albums Alligator and Boxer at their own studio in Brooklyn, New York, and at Katis’ Tarquin Studios in Bridgeport, Connecticut. Tickets purchased online … “You empathise and get inside their soul a little bit. 2007’s stately and opulent ‘Boxer’ was showered with acclaim, but the indie darlings were still far from the arena-filling heights of many of their peers. Infobox. But at the time [it was] hard to have any perspective on it.”, “Meeting Obama seemed more important than being on any big stage”. High Violet is the fifth studio album by the National, which was released on May 10, 2010 in Europe and on May 11, 2010 in North America via 4AD. Fully aware of their status as a ‘grower band’ (though Berninger laughs that “that always felt like an underhanded compliment”), they set about writing some songs that would connect straight away and on a huge scale. Featuring art-rock and indie-rock sounds, the album includes some of their most popular now-classics such as Bloodbuzz Ohio. 10 years later and what’s going on in the White House now seems more backward and “gross” than ever imaginable. And guess what? The National, High Violet (4AD, 2010) Credits Even from this distance, though, he finds it “hard to tell” if he really enjoyed the original ‘High Violet’ shows as much as you might expect. “We’d just come off tour with R.E.M.,” remembers Berninger. This, alongside successful support tours with artists like R.E.M., set them on the path to their current popularity. Q named it their album of 2010 and the band flew off on a vast world tour that would see them play iconic stages such as Glastonbury Festival, the Royal Albert Hall, Radio City Music Hall and Massey Hall. The National - Official website. Take a moment to reflect on that. u/elephantgun42. Rated #16 in the best albums of 2010, and #1970 of all-time album.. With their fifth set, perhaps the sad-sackiest … The National - High Violet. While it’s tempting to trace that thread throughout his life, though, he insists: “I’m entirely different to the man I was when I made ‘High Violet’. The five-piece rock band formed in 1999 originally released the album in 2010. The release of "High Violet" in 2010 saw them reach the biggest achievements of their career - hitting the top 5 across the UK, US and Canada. United in their vision and ambition, The National would finish what might still be their most cohesive and complete album to date. The sculpture on the album cover was created by artist Mark Fox, and is called The Binding Force. I don’t think we ever feel like that. He adds: “Obama winning was just like, ‘Everything is going to happen now. They’re killing the mainstream right now and if that’s depressing for the lifers, at least it reminds you how smart you are. Any band featuring two sets of brothers (twin guitarists Aaron and Bryce Dessner and drummer and bassist Bryan and Scott Devendorf) is going to have to deal with more tension than most. After a long to-and-fro about how the coronavirus crisis is taking its toll on the physical, mental and societal health of America, he admits that the necessary quarantine has given him “the opportunity to process, slow down and chew on everything in a different way instead of chasing this one upward trajectory”. The music is wide-ranging in its moods, by turns intimate and rough, expansive and spare, full of stark angles and atmosphere. There was an indiegasm across the internet when the anniversary gigs were announced along with the deluxe vinyl reissue. The agutierrezb 2019 record collection challenge So I've decided to embark on my own personal challenge, which consists of listening every record in my collection before the end of the year. High Violet was the National’s moment in all of this. With a number songs written with wife, longtime collaborator and former fiction editor at The New Yorker Carin Besser, the issues of family, time, movement, and the impact of fatherhood weigh heavy on his mind throughout the record. On ‘Afraid Of Everyone’ he sings: “With my kid on my shoulders I try not to hurt anybody I like – but I don’t have the drugs to sort it out”. The National. © 2020 NME is a member of the media division of BandLab Technologies. Heading into their fifth album, The National had to figure out who they were, and who they wanted to be. High Violet, the National’s lush masterpiece of grit and sorrow, turns 10 this year. Why did ‘High Violet’ strike such a chord? CAD3X03CD; CD). The band produced the album themselves assisted by Peter Katis with whom they worked on their previous albums Alligator and Boxer at their own studio in Brooklyn, New York, and at Katis’ Tarquin Studios in Bridgeport, Connecticut. We never feel like we achieved what we wanted to do.”. I’ve had manifest delusion since I was a kid. 10 years ago, The National enjoyed something of an Indian summer. In the words of the NME review at the time, ‘High Violet’ was a sign of the band finally becoming “fully grown-up, coloured in and going overground”. I was also wondering if I’d make art and music for the rest of my life. It was the kind of reaction reserved for one of those very special records. The National are rousing-rock sad sacks in a time-honored tradition: Joy Division, the Cure, Nick Cave. The National now rub shoulders with Arcade Fire and The Strokes as a bonafide indie institution. The record may feature guest spots from indie glitterati such as Sufjan Stevens, Bon Iver‘s Justin Vernon, and Arcade Fire‘s Richard Reed Parry, but they never distract from the record itself. You get out there and do your best.”, Matt Berninger of The National perform onstage during Bonnaroo 2010 (Photo by Jeff Kravitz/FilmMagic). The NME Big Read: The National – “Sex, death and losing – what else is there?”, a record deal for his debut solo album ‘Serpentine Prison. At that point we were like, ‘Oh shit, maybe we’re safer going down the none at all route…’”, But, he continues, “I didn’t want that. The National. The band produced the album themselves, assisted by Peter Katis with whom they worked on their previous albums Alligator and Boxer at their own studio in Brooklyn, New York, and at Katis' Tarquin Studios in Bridgeport, Connecticut. “Looking back now, the beginning of an eight-year Obama presidency – compared to what we’ve been living through now with four years of a fascist… I mean – wow, talk about perspective.”. A decade in, The National had finally graduated, and they’d done it without compromise. Of all the indie rock bands to emerge from New York City at the turn of the millennium, only a … “We’d been a band for 10 years and were exhausted through all the conflict – personal conflict, creative conflict, touring life, living on a bus together for so long. It me happy, then sad, then happy it captures the sadness so honestly ... Sleep Well Beast Trouble Will Find Me High Violet Boxer Alligator. You’ve got all that shit going on but then you get into the studio and the record is how you connect it all back together again. Matt Berninger is calling from lockdown in his home in California. On the plane back to the funeral, his eardrum burst under the cabin pressure, leaving him unable to hear in his right ear for a while. The band's fifth album catapulted them from indie darlings to festival headliners. I couldn’t play piano, but I wanted to be Tom Waits, I wanted to be Leonard Cohen, I wanted to be Nick Cave. I Am Easy To Find. The National 'High Violet' 10 Year Anniversary LP Out Now Jun 20, 2020 The National Release Never Before Seen Concert Film 'Guilty Party: Basilica Hudson' The National are set to release a remastered version of their iconic album High Violet to celebrate its tenth anniversary.. In addition, The National will stream The National - High Violet Live From the Brooklyn Academy of Music (BAM), a film directed by D.A. If they weren’t separated and trapped in their homes right now, The National would be prepping to celebrate ‘High Violet’ by playing it in full at a run of shows peppering the schedule for the final lap of their tour for their acclaimed eighth album, 2019’s ‘I Am Easy To Find’. They headlined the second stage at Latitude Festival 2010, with momentum swelling to such an extent that they returned to headline the main stage the following year. It was a whirlwind period, wonderfully captured in the documentary Mistaken For Strangers, starring and directed by Berninger’s brother Tom. It seems that The National frontman is in the perfect mood to take stock and look back over the last decade for the upcoming 10th anniversary of the band’s breakthrough album ‘High Violet’. And all it took was friendship, fatherhood and advice from Michael Stipe. Already exhausted from recently becoming a father, Berninger was struck down by a nasty bout of flu – and then his grandmother died. 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